Pacifica Performance Showcase

Brian Quijada and Nigel B. Robinson discuss their musical MexoBus, which explores the historical narrative of enslaved people seeking freedom in Mexico. Quijada describes his character's journey from Kentucky to Mexico, highlighting the themes of friendship and survival. Robinson shares insights on the unique bond formed between his character, a Mexican soldier, and Quijada's character, an escaping slave. They emphasize the importance of black-brown solidarity throughout history and the musical's innovative blend of genres. The creators also mention their collaborative process and the positive audience reception of the show.

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Bonna Walker hosts an interview with actor John Connie, discussing his return to the role of Sam in Master Harold and the Boys. Connie explains his history with the play, having originally performed as Sam in South Africa and later taking on the role of Willie. He reflects on the significance of revisiting the character after 40 years and the impact of apartheid on his work. Connie also shares insights about collaborating with playwright Athol Fugard and the importance of storytelling in theater.

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James Curtis describes his book, Comedy is a Grim Business, which focuses on the making of the film It's a Mad, Mad, Mad, Mad World. Curtis shares his personal connection to the film, recalling his first viewing at the age of 10 and the impact it had on him. He discusses the unique casting choices made by Stanley Kramer and the significance of the film's ensemble of comedic talent. Curtis also highlights the contributions of screenwriters Bill Rose and Tanya, detailing their backgrounds and the challenges they faced during production. He notes the logistical complexities of filming and the importance of timing in the film's success.

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Nick Davis describes his documentary 'This Ordinary Thing', which highlights the heroism of non-Jews who risked their lives to hide Jewish individuals during the Holocaust. Davis argues that the film aims to present these stories in a relatable manner, focusing on the ordinary lives and choices of those involved. He states that the film includes never-before-seen archival footage and emphasizes the importance of empathy in understanding these historical events. Davis also reflects on the challenges of conveying the emotional weight of these stories and the relevance they hold in today's society.

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Matthew Solomon discusses his film 'Seeds for Liberation,' which addresses the situation in Gaza and the urgency of the Palestinian liberation movement. Solomon expresses frustration with corporate media's portrayal of the conflict and emphasizes the importance of sharing the truth about the Palestinian experience. Donna Hajikani, co-executive producer, shares her personal connection to the topic and the film's intention to serve as a historical artifact. Leslie Scallon outlines the upcoming Dances with Films festival, highlighting its growth and diverse film offerings, including Jay Diaz's film 'Angelino.'

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Petey McGee discusses his role in the play Primary Trust, highlighting themes of love, loss, and mental illness. McGee describes the challenges of portraying his character Kenneth, particularly the use of silence to convey inner thoughts. He emphasizes the supportive environment created by his castmates and director. John Ford Coley reflects on his musical career with England Dan, sharing anecdotes about his experiences in the music industry and the connections he made with other artists. Coley promotes his upcoming concert at the Downey Theatre and discusses the storytelling aspect of his autobiography.

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