LA Review of Books (LARB)

Pemi Aguwa describes her debut novel, One Leg on Earth, which centers on Yosoye, a young woman navigating life in Lagos after graduation. Aguwa explains the chaotic nature of Lagos, highlighting its diverse architecture and the overwhelming sensory experiences of the city. She discusses the themes of motherhood and ownership, arguing that pregnant women are often abstracted into symbols rather than recognized as individuals with desires. Aguwa also reflects on her own fears regarding motherhood and the societal pressures surrounding it, emphasizing the importance of agency and awareness in her characters' lives.

1m· Captions

Kate Wolfe discusses the distinction between growing older and aging, stating that growing older is a biological fact while aging is often viewed negatively due to associations with deterioration. Medea Ocher argues that capitalism distorts perceptions of aging and self-worth, emphasizing societal pressures related to appearance. Eric Newman highlights the generational divide in perspectives on aging, noting that younger people face unique challenges in a changing world. The conversation also touches on the ethical implications of longevity research and the societal impact of an aging population.

1m· Captions

Harriet Clark describes her novel The Hill, which follows a young girl named Susanna whose mother is incarcerated for political radicalism. Clark states that the book took her 20 years to write due to her struggle to confront her own life experiences and find the right voice. She argues that Susanna's life is not degraded despite her circumstances, emphasizing that the story is a hero's journey. Clark explains that the themes of surveillance and the limitations of understanding relationships are central to the narrative, as Susanna navigates her connection with her mother and grandmother under challenging conditions.

1m· Captions

Barry Walters describes his book, Mighty Real, which chronicles LGBTQ music from 1969 to 2000. He states that the project was inspired by Vito Russo's The Celluloid Closet and reflects on the influence of queer artists in popular music. Walters argues that queerness has been co-opted in mainstream music, particularly during the 80s with the rise of hair metal bands. He explains the significance of disco in providing a platform for LGBTQ artists and discusses the changing landscape of pop music consumption and marketing, particularly in relation to LGBTQ audiences. Walters also addresses the challenges of niche marketing in the current music industry.

1m· Captions

Kimberly Crenshaw discusses her memoir, Backtalker, detailing her journey from childhood through her education at Harvard Law School. Crenshaw explains that her memoir aims to counter the backlash against critical race theory and intersectionality, asserting these concepts are integral to American identity. She reflects on the influence of Derrick Bell's work on her understanding of law and race, and the challenges Black women face in discussions of racial violence. Crenshaw also addresses the recent attacks on critical race theory, linking them to broader societal issues and the state of democracy.

1m· Captions

Andrew Durbin describes his book, The Wonderful World That Almost Was, which focuses on the lives of artists Paul Tech and Peter Hujar. Durbin explains how he became interested in their relationship and artistic journeys, noting their struggles with acceptance in the art world of the 1950s and 60s. He outlines their contrasting backgrounds and artistic approaches, highlighting their shared themes of death and urban life. Durbin also discusses their complex relationship, which evolved from romantic involvement to a deeper friendship, shaped by their challenging childhoods and artistic ambitions.

1m· Captions